Sad gay movies movie#
Filming was a chance to reconnect and to trust that we did it in the theater, but not to rely on that.” “So, those who saw the Broadway production should make sure to catch the movie, since it’s a different animal, right?” I asked, concealing the fact that I plan to see the movie at least five times.
I asked Matt if he’s found new textures in his character, the compassionate Donald, for the camera. (The long-running Julius was also represented in Can You Ever Forgive Me? and on Pose.) I ran into Matt Bomer at the premiere of a movie called Before You Know It on Thursday, August 22, which I hear was the same night the new Boys movie shot a pre-party bit at Julius bar, which included a cameo by Crowley. And yes, that includes the emotional carnage at the end.Īs you know, Netflix is producing a whole new movie of that work, based on the all-star production that won the Best Revival of a Play Tony Award in June. I decidedly did not include The Boys in the Band in the above list because I’ve always found the 1970 film-based on Mart Crowley’s corrosively funny and sad play about a gay birthday party gone awry-to be more provocative than depressing. That worked for me, and we had an amazing time.Īlso: Two films that have driven people over the edge, though I felt the response was a tad overwrought: Cruising (1980) and Boat Trip (2003).
Sad gay movies full#
But turn depression into joy and make this obscure find into a very sick party attraction full of laughs and jaw drops. Gay pride has never been more shameful, as you simply wait for the cuckoo drag queen (who looks like character actress Hermione Gingold crossed with Gene Hackman at the end of The Birdcage) to get caught already. It’s the kind of movie where that date enters the guys’ house on a tree-lined urban street, but when she leaves, it’s suddenly the thick of the woods. (Martha needn’t have worried Paul couldn’t get it up anyway.) The root of auntie’s rage-that Paul is possessively in love with Stanley, with whom he shares a bed-is handled in a very half-assed manner, and there are continuity problems, too. But when Paul brings home a female date, Aunt Martha goes mad with jealousy and butchers her, Norman Bates-style. It has the domineering Paul and the mentally feeble Stanley hiding out from the law in Miami, where one pretends to be the other’s aunt, in full, hideous drag. This low-budget, Psycho-wannabe sounds like it might be kitschy fun, but it only is if you watch it with a very giddy group over some very sugary snacks. Still, it was rivetingly done and audiences do cry. What’s more, a cis female-Hilary Swank-played the trans male, as is movieland’s way. There are also a few hallucinatory and/or fantasy sequences to elevate the mood, but generally, this is the kind of thing that has you gritting your teeth and fending off a nervous breakdown while admiring the cinematic effort.Īlso: Boys Don’t Cry (1999), which is even more horrifying because the trans character is brutally murdered, and besides, it’s a real story. It’s very painful to watch Marina’s degradation, though she always keeps stoically moving forward, valiantly trying to summon strength and dignity all through her plight. The stunning trans actor Daniela Vega plays Marina, the Santiago waitress/chanteuse whose boyfriend dies of an aneurysm, so she tries to mourn him properly, but is disregarded, called names, and brutalized everywhere she goes. Last year, this Chilean film directed by Sebastian Lello won the Best Foreign Film Oscar for its gritty look at a grieving transgender singer being treated like garbage at every turn. The screechy Filipino houseboy isn’t exactly a one-man Pride parade either. Don’t ask, don’t tell, don’t watch!Īlso: Reflections in a Golden Eye (1967)-based on bisexual Carson McCullers’ novel-with Marlon Brando as a very minor Major who fixates on a hot Private and in frustration ends up killing him. In this case, hammy Rod not only downgrades the high-cheekboned hottie, he follows him around and even forces a kiss on him in a leering explosion of unwanted lust. I get it-the closet is hazardous to your health, especially if you’re gaga for an unattainable twink-but all these movies with pathetically self-loathing queers being mean to each other, and to everybody else, prove to be a tad demoralizing to experience. He’s especially hot for a handsome private ( Barbarella’s John Phillip Law), but that drives him deeper over the edge, as he constantly punishes and taunts the private in order to work out his own psychosis. In this post-WWII drama, Rod Steiger is the angsty title character who’s grappling with repressed urges and going batty as a result.